2015 – a review of the year

So here we are at the end of 2015 and a time to reflect on the year photographically.

Has 2015 been a good year?

The answer, I think is yes, it has been a good and varied year.

I have worked with a quite a number of new models which was one of the aims of the year. On the photographic Salon front I have continued to enter a few of the National and International Salons and been rewarded with some success with images being accepted into the exhibitions and on a number of occasions picking up awards. One of the highlights was picking up my second Gold medal in the Trierenburg Super Salon, which resulted in an invitation to the Gala dinner in Linz in October to collect this. This year our trip was by train and we visited Zurich on the way there and Vienna on the way home. A blog post will be coming in early January about the visit to these two locations.

A few Judging invitations this year, including one of the National PAGB competitions (The GB Cup with fellow judges Leigh Preston  and Eric Orme) and also the international Yorkshire Salon 2015 with fellow judges Libby Smith and Rod Wheelans.

I have also had a number of invitations to present my images to camera clubs both locally in Yorkshire and nationally too, I even did a Couture fashion shoot too.

Mid-way through the year, I managed to put myself out of action for around 2 months when I broke my foot, so I had to cancel a trip to Spain and also a number of booked shoots which was a real pain. Fortunately at least one of the models I was able to work with later in the year. Just at this time I also got a studio space to work from so that has been a good step forward to have somewhere to work and play with lighting styles etc. I just had to wait for two months to start using it!

To make up for missing the trip to Spain in June we arranged a trip in September to visit the city of Bilbao, in northern Spain, which was well worth the visit as you can see from my post about it here.

On to the new models that I had the pleasure of working with this year, starting in January 2015, with Rosa brighid, then in alphabetical order: Angela Hudson, Amber Tutton, Darren H, Dee Delahunty, Gem, Mischkah, Rosewell Ivory and Tillie Feather.

I also enjoyed working again with Carla Monaco, Ella Beth, Faith Obae, Ivory Flame, Jen Brook, Kayleigh Lush, Raphella, and Madam Bink.

Finally I must put in a short bit around the FIAP awards which last year were revised upwards dramatically which made me decide not to follow on with the level awards. (see FIAP silver) Well in the FIAP congress in November 2015, guess what – they changed them all around again, you really do have to wonder!

So the upshot is I can now apply for my FIAP gold level award.

So to finish off here are some images from the 2015:


Bilbao visit part II

Following on from, my recent blog post on my visit to Bilbao in September. Which mainly featured the architecture and areas around the Guggenheim.

I thought it would be worth sharing some of the other interesting places that are worth visiting whilst you are there.

Starting off a the tourtist information center where there was this interesting use of light bulds and photographes of the city of Bilbao.

light bulds display
XF 35mm 1/60 sec @ f/4

The river Nervión runs through the city and you can walk on either side of this river and cross it by many of the different bridges that have been built at regular intervals in the centre. These are all different and some are more photographic interesting than others.

foot bridge sweep
The Zubizuri foot bridge designed by the architect Santiago Calatrava is interesting but was always busy with foot traffic which also makes the bridge vibrate so not easy to get a shot on so here is the view showing the sweep of the bridge from the underneath Touit 12mm, 1/125 sec @ f /13.0

Some of the outdoor sculptors along the banks of the river make interesting subject too and I choose to photograph them using a low angle to make these strong shapes stand out again the sky.

The disc thrower 1
Commemoration day of the Sea sculptor – XF 35mm 1/60 sec @ f/ 16
XF 35mm 1/60 sec @ f/16.0

Commemoration day of the Sea – XF 35mm 1/60 sec @ f/16.0

The dancer
Commemoration day of the Sea sculptor – XF 35mm 1/60 sec @ f/11

Another good place to visit was the Azkuna Zentroa, or in English the (Azkuna Centre) previously known as the Alhonhiga Bilbao. It is an interesting building which was originally a large wine warehouse designed 1909 but following it closure around 1970 was finally renovated between 2001-2010 by the architect Philippe Starck  in collaboration with Thibaut Mathieu. This is now a multi-purpose venue which houses: a gallery, cinemas, café, shops, fitness center and a swimming pool.

circles of light
This is one of the large spaces in the building and the circles of light made good patterns on the floor. One little person was having fun dancing among them. Touit 12mm 2.0 secs @ f/8.0

But this is a swimming pool with a difference, it that at the top of the building and has glass panels in the bottom – so you can walk underneath it and look up at the swimmers in the pool back lit from above.

swimming pool 1
1/125 sec @ f/11.0 Touit 12mm

The whole building make for an interesting place to visit: the open space has some interesting lighting and areas to sit and chat in.

Even the pillars supporting the internal structures are all different with attractive decoration patterns.

the ornate tiling of one support pillar
1/4 sec @ f5.6 Touit 12mm
support pillar brick
0.5 sec @ f/5.0 Touit 12mm

As I said above you can walk around the city but there is also a very good tram and metro system, if you need to travel quickly or go further out of the city. Of course the metro system, which was designed by another fine architect Sir Norman Foster and as you enter the system by what the locals call ‘Los Fosteritos’ you feel you are entering a futuristic world. Once you have come down the escalators or glass lifts you are lead through tunnels to cavernous stations. With mezzanines floors above the trains and stairs from these lead you down on to platforms. Here are a few images from the stations which feel light and airy compared with some of the other metro systems that are around Europe.

metro esculators
XF 18mm 1/5 sec @ f/6.4
ticket barrier pop
The ticket barriers were worth ago at a little bit of selective colouring. XF35mm 1/125 sec f/5.6
moyua metro station
View from the mezzanines floor above the metro line tracks. XF-18mm 1/15 sec @ f/4
moyua station reflections
XF-18mm 1/30 sec @ f/2.8

We used the metro to go out to the Areeta metro station to visit the Vizcaya Bridge,  known to locals as the Puente Colgante (hanging bridge) which is a link between Portugalete and Getxo. It is the oldest hanging bridge in the world and was constructed in 1893 of iron and was designed so that the passage of ships would be interrupted.

the hanging bridge
XF-18mm 1/180 sec @ f/16.0

Another transport hub that is worth a vist is the railway station located in Abando near the old town. It is know locally as Bilbao-Abando and locally named as Estación del Norte (“North Station”), it is an interesting build and has a great station glass window showing the industrial heritage of Bilbao.

the basque region stainglass window
XF -18mm 1/125 sec @ f /4
XF -18mm 1/60 sec @ f/8.0
XF -18mm 1/60 sec @ f/8.0

The skyline of Bilbao has some other notalbe buildings that are worth a look photographing, there is the Iberdrola tower ( Iberdrola dorrea) the head quarters of Iberdrola( the spanish electricity company) it certainly towers above the skyline and makes a interesting subject in various lights.

the Iberdrola tower
Touit 12mm 1/125 @ f/13
Reflected blues and whitess
Iberdrola Tower XF -18mm 1/180 sec @ f/11
XF -18mm 1/125 sec @ f/11
XF -18mm 1/125 sec @ f/11
Iberdrola Tower sunset II
XF-55-200 mm @ 55mm. 1/125 sec @ f/ 5.0
office block colours
Office block sun reflections XF-55-200 mm @ 200mm. 1/125 sec @ f/ 6.4

The final images I shot were at another transport link the airport which is also designed by Santiago Calatrava and the terminal is a sleek design and looks like the front of a large arrow pointing to the sky. This is a shot from the interior departure hall.

bilbao airport windows
XF-18mm 1/125 @f /10.0


Trierenberg Super Circuit 2015

Following on from my success in the 2014 Trierenberg Super Circuit I went to the Gala Dinner to collect my medal and it was a great night of photography images and meeting fellow award winners. I again entered the 2015 Trierenberg Super Circuit and I was more than delighted to be a medal winner again in 2015.

Trierenberg Super Circuit collecting the medal
Collecting the Gold Medal

So again the invitation to the Trierenberg Super Circuit Gala dinner was accepted and a trip to Linz was arranged to attend the award ceremony and dinner.

So Monday of this week (12/10/2015) I was among  those photographers at the gala dinner and awards evening held at the Design Centre in Linz, Austria. My award-winning image this year was Perfecting the art of chair levitating which was awarded a gold medal for best mono image in the Bregenz salon.

Trierenberg Super Circuit perfecting the art of chair levitation
Perfecting the art of chair levitation

This is again a great evening, well organised and with a well curated exhibition of a large number of the accepted prints. To have one of your images on display with all the other impressive work and to stand on the stage in front of all those other photographers and creative artists for a second time was really a good feeling.

This year I was one of the winner who Dr Chris Hinterobermaier chose to interviewed on stage so a little nerve-racking to start off with but I felt I gave a good answer to this questions.

Trierenberg Super Circuit interview image 1
On the big screen

There were a few other UK-based photographers attending too – Slywia and Marcin Ciesielski based in Southampton and Marek Biegalski based in Dublin and Mike Pilkington again from Dublin.

There were two other photographers who I had met at the event in 2014 Lotta van Droom (Ireland), who I managed to have a chat with after the dinner and also Mohammadreza Rezinia from Iran but I did not manage to catch up with him this year. which was a shame as his work is really creative.

Have a look at their websites if you have the time.

Again as I said at the end of my post last year if you get the invitation to attend then GO


Bilbao with the Fuji XT-1

We had talked about going to Basque Country in Northern Spain for a number of years, and Bilbao was on my list as a Spanish city I wanted to visit too. We decided to take the plunge and make arrangements to go there for a few days and experience the Basque region.

Now I knew that one of the attractions for me in Bilbao was the Guggenheim Museum for its architectural design both on the outside and inside too. But were there other photographic opportunities as well? With a bit of research on the web I found a good photographic blog from Lizzie Shepherd who had been there in December of last year. Her blog showed that there were quite a few other areas to visit that were worth taking a camera along to.

With a few days of research on how best to get there by my wife, we decided to go by train. So at the beginning of this month we boarded a train and headed down to London via the East Coast Mainline; then out from St Pancras by Eurostar to Paris; and across Paris by Metro to Paris Montparnasse. Boarding the modern French TVG Atlantique train, we travelled across France to Hendaye and then a short walk to the tram station and on across the Spanish border to Irun. A night in a hotel in Irun was followed by another local train journey to the city of Bilbao.

Bilbao high and low Lines
High and low Lines

My camera of choice for traveling is now the Fuji system as the XT-1 and the 5 lenses I carry are capable of covering all the images I might want to take. It is also a lot easier on the shoulder when you are out walking all day – that can make a lot of difference. All my Fuji gear fits into a small Bingham shoulder bag so if you are flying it doesn’t give issues getting the bag onto the plane. I had also brought my recent addition to my travel kit the ‘Brian’ – the 3 legged thing, and a range of filters but in the end the only filter I used was the polarizer.

Once we had settled in to the hotel which was situated near the Guggenheim we headed out to explore.

The Guggenheim was just a short walk alone the river Nervión and as you approach it, the distinctiveness of Frank Gehry’s  design comes into view – those curving titanium sculptural and expressionistic curves and lines standing out against a dark sky. Time to bring out the 3 legged thing tripod and the telephoto lens to zoom in and capture those flowing curves and wonderful lines against the dark sky. I was not disappointed with these first images:

Bilbao guggenheim titanium colours
Guggenheim titanium colours XF-55-200 @55mm 1/60@F13
Bilbao angles shapes in the golden light
Angles shapes in the golden light XF 55-200mm @ 67mm 1/8 sec @ f18.0
Bilbao guggenhiem and tall tree & the eye,
Anish Kapoor Tall Tree & The Eye, insutation against the Guggenheim. Touite 12mm 1/125 @ f14
Bilbao kapoor's tall tree & the eye Instulation
Kapoor’s Tall Tree & The Eye Instulation XF55 – 200mm @ 55m 1/100 @ f13
Bilbao tall tree and the eye reflections
Reflections from the Tall tree and eye sculpture by Anish Kapoor XF55-200 @ 110mm 1/125 @ f9.0

Over the next few days I had plenty of opportunity to explore both the exterior and interior of this wonderful building. I loved the shapes and flows of the lines and different colours the titanium cladding gave in the different light. I could have spent a lot more time trying to do it justice. I was lucky that on the days we were there was a lot of rain clouds around so the roof structures stood out well against these dark clouds. It would be a lot different against a clear blue sky I would think.

Bilbao guggenheim roof angles and shapes
Guggenheim roof angles and shapes XF55-200 1/125 @ f6.4

Of course the Guggenheim is not just about the outside and an afternoon was spend inside the wonderful building were you can see the flow of the architect’s design. The support structures are described as being like arteries and the building flows from the outside to the inside with the titanium plates continuing into the building and become part of the interior.

Bilbao interior lines and flow
Interior lines and flows
Touit 12mm – 1/60sec @ f4.0
Bilbao glass and steel
Glass and steel upwards Touit 12mm-1/60sec @ f5.6
Bilbao glass and steel works looking up
Glass and steel works looking up Touit 12mm 1/125 @ f 14
Bilbao Shapes in white

Photography is allowed in some areas of the building but not others, and you are quickly told if it is not allowed. The exhibition by Richard Serra, entitled The Matter of Time, is just amazing to see and experience and you seem to be able to take images among the structures without any issues but not from the viewing gallery above!

Another more colourful sculpture in the Guggenheim is actually outside but you can only get to it by going and paying the entry to visit the museum. This is a collection of giant tulip bulbs by Jeff Koons, it is certainly photogenic and offers lots of different viewpoints, you just have to wait your moment between other visitors.

Bilbao tulip's by jeff koons
Tulips by Jeff Koons Touit 12mm 1/60 @ f10

The other big exhibition was a retrospective of the work of Jeff Koons (Artsy’s Jeff Koons) including the controversial, ‘Made in Heaven series’. But I didn’t take any images of this exhibition interesting and colourful as it was; for me the building was the star of this show.

Bilbao also offers some good low-light night photography. Obviously the Guggenheim is the first port of call for this as the building is well illuminated at night as are the outside sculptures and bridges near the museum.

Bilbao guggemheim at twilight
Guggemheim at twilight XF18mm 1sec @ f10
Bilbao guggenhiem night colours
Guggenhiem night colours XF56mm 1sec @ f8.0

There is a Louise Bourgeois giant spider to try and capture as the night falls and the sculpture and building are lit up. The composition using the spider and building is a bit tricky but I think this one works for me as it also captured the fire fountain (Yves Klein) The fires burn at regular intervals for around 30 seconds so you just need to choose your location and then setup and wait for the roar of the flames. I was hoping the long exposure would take out most of the other visitors but one or two chose to stand for long enough to register.

Bilbao manam spider at night
Maman in the evening light. Touit 12mm -1sec @ f8.0
Bilbao fire fountains and reflections
Fire fountains and reflections XF35mm 4.0 @ f 14
Bilbao maman and the arcos rojos bridge structure
Maman looking towards the Arcos rojos bridge structure. Touit 12mm 13secs @ f16


3 Legged Thing ‘Brian’ Tripod impressions

X1.1 Brian Evolution 2 Carbon Fibre Tripod System with Air-Hed 1 Blue
Having found the need for a travel tripod I did some research on what was available on the market at this time and found a British company that make what looks to be a good range of tripods. The company is called the 3 Legged Thing. Now if I can I will support British manufacturers if they make a good product and I had come across the name a few times but never really looked at the products so having found a good deal on the above item (this is not the latest version which is Evolution 3) I went ahead and purchased one.

For travel I made the decision last year to go with the Fuji system (the X series) as its compact and very light in comparison to the Canon which is a big plus as it is easier to carry and get onto aircraft. They also do a good range of lenses too. So I think that this tripod will work well with the setup. The proof will be in the field of course.
I have never used a travel tripod before as I have usually taken my Canon system with me on my travels and so packed my full size Manfrotto which was always a challenge. The thing that made me go for the 3 Legged Thing ‘Brian’, was that it had a good height range which some of the others didn’t. It extends at full extension to around 2.0 metres and the kit weighs in at just 1605g. Apparently its called ‘Brian’ after a certain rock guitarist – all the tripods in the range are named after guitarists.

When fully extended this tripod will put the camera at round my head height (I am about 6ft), so this was a good tick in the box for the selection.

3 legged thing brian - extended

In terms of design ….
The tripod legs actually fold back on themselves to save space; (see the image at the top of the post) this is common with most of the current range of available travel tripods, and in theory should make it easier to pack and transport, which was another reason for going for a travel tripod. The legs and central extension column lock in place with twist locks which seem to work well. They have a rubberised coating which is a nice feature and they are easy to use.

3 legged thing brian - leg locks

Again as with most of the units I short listed, you can unscrew one of the legs and with the head and centre column you then have a monopod, which may be useful – we shall see. There is also a zip-on neoprene cover on one of the legs, which may be useful in colder weather; this again is common on most of the other makes too.

I have tried out the tripod a couple of times and so far have found it steady enough with the Fuji set up (not tried the long lens yet) in normal conditions. How it will cope in windy conditions we will see but it is provided with a retractable hook (spring loaded) on the centre column from which you can hang a camera bag if you think that would help. I have not tried it out with all the legs and columns fully extended, this would put it well above my normal working height, but it is good to be able to go there if I need that bit of extra height. However this will make it a bit more susceptible to magnifying any movement as it uses the thinner sections of the central column.

The ball head supplied with this version of the ‘Brian’ is the Air-Hed 1 and it is well made and seems to work well once you get used to what each knob does. Again I need to use it more out on my travels to really get a feel for it.

3 legged thing brian - camera and head

There is a new version of this head (the Air Hed 3) which is what you will get if you buy the current model Evolution 3. I am not exactly sure what the design changes are but the pictures show that it has a slightly different shape and comes with a with detachable Pano-Clamp.

I have an L bracket plate–grip fitted to my camera and really like the design and slightly extra grip it gives you. It provides a bit more protection for the body and is quick mounting with its Arca Swiss groves. As the Air Hed comes with an Arca Swiss compatible release plate this was another tick in the box for me when I was deciding on which tripod to purchase.

When it arrived this was one of the first things I checked and it fitted perfectly. It does make using the camera and tripod together very easy and I would recommend it to any Fuji X users

3 legged thing Brian - Air hed

The head is supplied with a plate but I have not used this as yet, so I am not able to comment on how well it secures the camera etc. You also get a tripod bag with handles and a carrying strap which is useful. The case is padded and of good quality and has hard ends. However this makes it a bit difficult to pack as you can’t flatten it if you need too. It also has a pocket in the end that opens and where you can keep your accessories like the supplied allen keys etc.

Overall my first impressions of this tripod have been good, and I am looking forward to using it soon. I will blog some results using it in the near future.


Couture Fantasy themed shoot

When Jen Brook posted an invite to a designer-themed Couture shoot at Velocity studios in Chorley a couple of months ago, I had to put my name down. As it featured Jen, Gem, Amber Tutton and Madam Bink, all models (except Amber) I had the pleasure of working with before, I knew this would be a good event.

It also featured Rosie Red, a designer and creator of fantasy bridal and couture wear and two fine Make-up Artists, Abi Pulleyn and Olivia Morewood. So with four great models styled in fantasy couture and  two disused floors of the mill near Velocity Studios to shoot in, it turned out to be a great day.

Brian and Steve from The Flash Centre were also in attendance so there was a few toys to try out on the day, including the Elinchrom ring flash (some images to share later using this) and the new Pentax 647Z.

As no one seemed interested in trying the Pentax 647Z, I thought I would give it a go and so after loaning a 16GB SD card (thanks to Richard Awbery), I used it towards the end of the day for a about an hour.

Couture amber-jen

I got some good images to play with but be warned this system produces some huge file sizes. I will share some images taken with this camera soon.

Here are two final images from the day when the sun came out and all the models were assembled for a few shots with them all together.

Couture amber-binky-gem-jen
Couture amber-binky-gem-jen 1

Thanks to Marc (Velocity Studios),  Amber, Binky, Gemma, Jen, MUA – Abi and Olivia, Designer Rosie Red and Brian and Steve, too.




Plug Ins and Adobe Photoshop CC (2015)

As I am sure you are all aware there is an update for Adobe Creative Cloud subscriber which updates Adobe CC to CC (2015).

Yesterday I undertook the upgrade without any difficulties and if you go to the various website you can find out what is new in Adobe CC (2015). This link is a good starting place,

I am not proposing to discuss the updates here but the purpose of the post was to share how I got my third party plug ins back, as when I opened the new version of Abobe CC (2015) they were no longer there.

So where are my Plug ins?
Ok so if you were using plug ins with Photoshop CC (2014) before you updated then you need to locate them and by using this  simple fix you can get them back without having to re-install them.

plugin image 1
  •  STEP 1: Navigate to the Photoshop CC folder in Program Files, Adobe. (you should see Adobe Photoshop CC (2014) and CC (2015)
  • STEP 2: click to open Adobe Photoshop CC (2014) and you should find the Plug- ins folder. Clicking on that to reveal all those installed plugins that you have, and simply highlight them all and then go to Organize and Copy (Right Click + Copy)
  • STEP 3 : then step backwards to the Adobe Photoshop CC 2015 folder in Program Files, Adobe.
  • STEP 4: Double Click to Open Adobe Photoshop CC 2015 and then the  plug-ins either : Organize paste or (Right Click + Paste)
  • STEP 5: Close and Re-Open Photoshop CC 2015.

This worked for me so hopefully it will work for you too.

I know this is the  fix for window based machines, for Mac users the files I think are located  in the APPLICATIONS folder.



EFIAP Silver

I’m delighted to have received notification this week that my application for the EFIAP Silver (EFIAP/s) award has been successful; this makes it my fourth FIAP distinction in consecutive years which I feel is a good achievement.

As with my other blog posts about the FIAP distinction trail,  EFIAP2013 and EFIAP/b 2014), I will share all the images that gained me acceptances for my successful EFIAP Silver application below this text.

I have been entering FIAP salons now for the last 5 years and over that period have had success with gaining acceptances and a few awards too. Through pursuing the FIAP salons trail I seen inspiring work, I have met a lot of good photographer and made some new friends and travelled internationally as both a judge and an award winner. The salons have provided me with an outlet for my work to be seen and shown internationally.

However from 2016 FIAP have decided to introduce an increase to all the level requirements, effectively a 100% increase in the numbers required at each level. This suddenly makes this a very expensive task and perhaps not worth the effort as future increase could again be made in following years.

Now I have seen the acceptance requirement increase at EFIAP level and was fortunate to have been successful enough with my images to gain sufficient acceptances to meet that increase. FIAP then decided to delay the introduction of that increase which then meant that I had a large number of acceptances that could not be used. However it seems that they may come into play with new changes to the requirements that FIAP have introduced as you can now include all your acceptances from your AFIAP and EFIAP towards these new level requirements.

So will I continue on the distinction trial?   I will wait and see as if those images are now able to count, if that is the case, then the task is not as great as it would have been. So clarification will be required before I make any decision on progressing on to EFIAP/Gold. I know that I will certainly not be going on from there.

I do feel a certain amount of regret that changes he been made without any consideration for people already within the process. Most other organisation would have taken a phased in approach to the changes, to allow for many of the members who were already well through the process to complete it, but that is not the case. This is a shame, as I feel I can no longer recommend the FIAP distinctions process as worth having a go at, which I used to do in my lecture tours.

Above are the a few of the award winning images:


Rosa Brighid

In January of this year I had chance to work with a new (to me)  model Rosa Brighid. She is based in Plymouth but was in my area and so we arranged to work together. As it was  January a studio location was the best option, so I booked Hallum Mill in Stockport. It turned out to be a very wet day (glad I had chosen to work in the studio) so having collected Rosa Brighid from where she was staying, we headed over the hills to Hallum Mills.

I got to know Rose a bit on the way across and she certainly looked to be going to be a popular model as she outlined the various shoots she had planned during the year.

As I mentioned earlier this was a very wet day so there was not a lot of natural light available to shoot with.  I chose to work with a couple of different lighting setups. The first image (below) was from my first lighting setup were the main lights  were placed behind the model (fitted with a small reflector and a grid). They were setup high and aimed at separate bounce boards which were positioned to the right and left of the camera in front of the model. These bounce boards bounce the light back towards the model and produce an incredibly soft and flattering light.  As can be seen from the image the lights picks up the edges of the body and hair and create a rim light on the body contours and hair. It then hits the bounce boards and scatters and produces a soft front light.

The second image was lit using a continuous tungsten light source “daylight balanced” which means that you can see exactly were the light is falling and for this set the light was positioned to the right hand side of the camera.

It is interesting to see the two different lighting set outputs.

Rosa Brighid white border
Canon 5D MkIII – 1/125 @ f / 10.0 EF 70-200mm F2.8 L
Rosa Brighid lingerie
Canon 5D MkIII – 1/125 @ f / 9.0 EF 70-200mm F2.8 L

The next  image was from a more normal lighting set up where the main light was to the front and off to the right of the camera and fitted with a larger soft box, which again giving a softer light but slight more edgier look.

Rosa Brighid single light to the rhs
Canon 5D MkIII – 1/125 @ f /4.5 EF 70-200mm F2.8 L
Rosa Brighid single light to the rhs I
Canon 5D MkIII – 1/125 @ f / 9.0 EF 70-200mm F2.8 L

The darker more moody images were lit using a lighting setup which consisting a one main light fitted with a strip soft box which also had an egg crate grid attached to control the light spill and make it very directional. Which keeps the light from falling onto the back ground. The result is that  you get dark backgrounds and good light and shadow areas on the contours of the body.

Rosa Brighid facing the light
Canon 5D MkIII – 1/125 @ f / 8.0 EF 70-200mm F2.8 L
Rosa Brighid turning away from the light
Canon 5D MkIII – 1/125 @ f / 9.0 EF 70-200mm F2.8 L
Rosa Brighid seated on the table with a chair
Canon 5D MkIII – 1/125 @ f / 8.0 EF 70-200mm F2.8 L

It turns out the Rosa Brighid is a bit of a climber so here is one to finish with, were we worked with a rope ladder suspended from the ceiling. Again using the strip lighting set up to light the scene.

artistic nude image of model rosa brighid using a rope ladder to hang and make a curved figure shape
Canon 5D MkIII – 1/125 @ f / 10.0 EF 70-200mm F2.8 L

So thanks to Rosa for producing some good poses to go with the lighting.



Roswell Ivory

I  finally have had some time to start to work on my image backlog after a hectic few months of image making. In April alone I had 5 model shoots and a trip to the Isle of Skye for a weeks break and also a change to work at getting some landscape images.

Roswell Ivory is based in Milton Keynes and had contacted me a couple of times in the past to see if we could arrange a time for us to work together.

But somehow the dates we had available never quite matched up, or I already had a shoot booked when she was in the area.  So it was really good that in February we found a date that we both could do. This fitted into a tour she had organised so it meant that she was able to come up to work with me locally so we could be fairly relaxed with the time and a venue too.

This was a studio shoot as February is a just a little bit too cold for working outside, the studio has some good natural light so most of these image were shot with just the natural light in the studio.

The artist nude figure studies were shot with a single studio light on a simple black ground.

Roswell Ivory is great to work with and as she is also a trained  contortionist and as such she can make so great shapes with here body.

The location had a large mirror so we used this to create a set of legs and shoes images using some of Roswell Ivory vintage lingerie.

So here a few I liked from the session:

Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Consent to display content from Youtube
Consent to display content from Vimeo
Google Maps
Consent to display content from Google