Category: FIAP

2017 a year in review

So as 2017 comes to an end I thought it was worth taking a bit of time to reflect on this years photography.

Two of the main highlights from 2017 that spring to mind are being awarded a third London Salon medal for one of my images entered in this years (2017) London salon. Having been lucky enough to have been awarded medals at medal at previous Salons – I never thought I would get a third.

The second highlight was having an image in Great Britain entry for this years FIAP colour biennial .
I also achieved the EFIAP/Platiumn award which has been a long-term goal for me. (see below).

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FIAP colour biennial 2017

on pointe expression FIAP colour biennial 2017
Canon EOS 5D Mark II : EF 50mm f/1.2 L USM 1/125 @ F / 9.0

FIAP colour biennial 2017

Every year FIAP (International Federation of Photographic Art) hold international competitions called FIAP Biennials. These are hosted by different Federations around the world, under conditions laid out by FIAP. This year the competition was hosted by Norway and was a colour Biennial.

This is the first year that FIAP have merged the colour Print and Projected Image Biennials together.

In 2018 there will be the Black and White and Nature Biennials.

Within each medium, each country chooses its own theme for its entry, and puts together a panel of images or prints on that theme aiming to get the entries as coherent as possible.

During the competition the panel of entries is given both individual scores for each work, and also a mark for how coherent the panel is.

Obviously then the country with the highest combined score is the winner.

This year the Great Britain theme was “Dance and Movement” and the PAGB selectors selected 10 images to make that theme, including an image from myself.

Other authors representing GB were Dinah Jayes, Roger Parry, Derwood Pamphilon, Steve Marriot, Pauline Pentony, Joan Blease, Tim Pile, Greg Duncan, and Valerie Duncan.

In the competition the entry received a coherence score of 45 and an individual print score of 119, total score of 164.

There were 19 countries entered into the Colour Biennial (Print) and this score placed us 5th overall and we also received an honourable mention. We were one point off the FIAP Biennial bronze which went to Norway. Other notable awards were to Dinah Jayes who was awarded the FIAP Biennial individual gold medal for her image.

The overall winners of the World Cup were Italy.

Gold went to Luxembourg and Spain picking up the Silver, Norway the bronze medals

In the Projected Image Biennial, GB came second which was also a great result.

It was great to receive the printed catalogue showing all the print entries and I was especially impressed with the coherence of Luxembourg images, which was on a theme of ‘Black and Red’ .


EFIAP/Platinum Distinction Level

FIAP Distinctions for Photographic Merit

I received notification that my application for the EFIAP/Platinum Distinction level award (EFIAP/p) has been successful. This was great news as it has been a project which I started in 2012. The aim was to see if my images would gain acceptances in international photographic salons around the world.

All these photographic salons are run under the auspices of FIAP (Federation Internationale de L’Art Photographique).

Following on from my successful AFIAP (Artist FIAP) application I gained my EFIAP distinction in 2013 (Excellence FIAP) and each subsequent year since then I have achieved the required acceptance to progress up the levels each year.

I have also managed to pick up a number of awards along the way too, which is always a good feeling.

Efiap/Platinum a simple point of the foot
Canon EOS 5D Mark III Lens: EF70-200mm f/2.8L IS 1/125sec @ F / 7.1

EFIAP/p: Excellence FIAP/Platinum

So a year on from achieving my EFIAP Gold (EFIAP/g), I managed to achieve and pass the requirement required for the EFIAP/p level.

I think it is worth just sharing the requirement for EFIAP/p distinction level. You need to exceed 700 acceptances with at least 250 different works, which have gained acceptances in at least 20 different counties, as well as 7 photographs gaining awards in 7 different counties and different salons.

Hence to achieve this level you need to have a pretty substantial body of work and to have been actively submitting that work to photographic salons around the world.  It really is no mean feat to achieve it.

In my post about achieving my EFIAP Silver, I noted with some regret that FIAP in their wisdom had made major changes to these awards requirements for the following year, which made me question the rationale of continuing to enter international salons.

However later in the year at the FIAP conference, the changes introduced to all the requirements of the awards were revised further, making the requirements sensible again.

So what I have learned along the way with this Project ?

First and foremost you need a good database to keep track of the salons you have entered and your image titles.

Within that database you will also need to keep the record of the FIAP Salon number of the salon you have entered and whether you have entered a Print or a PDI (Projected digital image), together with the year, and the country in which the salon is taking place. If the salon is a circuit you need to record each salon of the circuit and the images entered in each salon making up the circuit.

Upon receiving your results, it is important to check that the titles on the results sheet match your titles, as errors do occur and you need to make sure that the titles that are published in the results are the same as the ones in your database. You also need to record which images have received awards. The check of the awards is done on the image titles against the salon returns to FIAP so they need to match.

You can record lots of other things if you want but those listed above are the main things you will need at the end of the year when you are filling out your application submission.

Image titles are also very important. Make sure you don’t duplicate titles, over a year you can sometimes struggle to think of a title and end up using one that you have already used.  I made that mistake a few times and you can only use the title for one image, so effectively you lose the acceptances you gained from the duplicated title. Also make sure you don’t use the next image in a sequence of images you may have shot as they will be too similar. It is tempting to use another image from a shoot if one has done well. Look carefully at the images you use.

It is important to pick your salons, as you do need a good spread of countries each year. You may be very successful in one country, and it is very tempting to keep entering images in the same area if they do well. You will learn quickly which salons are well run and which to avoid!

If you want to read some of my other blogs about the FIAP distinction trail then the links are below:

 EFIAP2013 and EFIAP/b 2014), EFIAP/s 2015, EFIAP Gold

Here are a few of the images that were part of my EFIAP Platinum application :

Kirkjufell mountain and waterfall
Canon EOS 5D Mark III : EF16-35mm F2.8 1.6sec @ F / 22.0
Efiap Platinum
Pentax 645Z Lens: FA 645 150mm f/2.8 1/100sec @ F / 2.8
Efiap/Platinum aerial splits blue silks
Canon EOS 5D Mark IV
Lens: EF70-200mm f/2.8L IS 1/125sec @ F / 5.0
Efiap/Platinum victorian candle maker
Fuji X-T2 : XF18mmF2 R
1/4sec @ f / 11.0
Canon 5D EF 70-200mm F2.8 L 1/125sec @ F / 6.3
EFIAP/ Platinum magic dust sweeping
Canon EOS 5D Mark III
Lens: EF70-200mm f/2.8L IS 1/125sec @ F / 4.5
EFIAP/ Platinum angela hudson
Canon EOS 5D Mark III : EF70-200mm f/2.8L IS 1/125sec @ F / 4.5

So having achieved my aim of gaining the EFIAP/Platinum level what is next ?

I plan to keep entering a few of the international salons but I will be very selective in the ones I spend my money on.

I will mainly be focusing in on the ones that have prints sections. I enjoy creating prints and certainly feel that it is important to keep supporting salons that exhibit prints.

Final thoughts:

As I have pursued the FIAP Salons trail I have seen lots of inspiring work; I have met a number of good photographers; and made some new friends. I’ve been lucky to have travelled internationally as both an award winner and also as a judge.

EFIAP/Platinum thoughts of the one IV Elle beth
Canon 5D MkIII – 1/125sec @ f / 11.0 EF70-200mm F2.8 L
EFIAP/Platinum towards the light
Canon 5D MkII – 1/40sec @ f / 3.5 EF70-200mm F2.8 L

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2016 a year in review

I can’t really believe that we are at the end of another year, and again I have had a good year photographically so here is some of the highlights from my 2016.

Having a studio has been a real boon and I have worked with a number of new models there this year. We’ve created some great images, and also had good fun playing with different light approaches.

New models have included Amber M, Em Theresa, Katie Green and finally Nicky Philips. Also Marmalade – but not at my studio as we worked on location in the Pit in Nottingham. The other creative I had the pleasure to work with during the year was the Make Up Artist (MUA) Monica Montalvo. We created some pleasing beauty images working with the model Amber Tutton.

New Models images:

I also worked again with Anita De Bauch, Elle Beth, Fredau H, Carla Monoco, and Amber Tutton. it is always good to work with models that you have worked with before, its a bit more relaxing as you know what they can do.

More models:

I have also supported Walters Wardrobe (Jen Brook) and her couture themed shoots at some great locations. These have included Allerton Castle and the vast stately home at Wentworth Woodhouse plus some other great locations too. The Wardrobe team included the MUAs Olivia Morewood and Abigail Pulleyn, with Jen doing the styling, sourcing outfits from the likes of Designer Sharon Bowen- Dryden.

Walters Wardrobe images:

This year I have also started a number of projects which I will feature early next year on this site. The main one has been “Reflected Leeds” which is about creating images of Leeds but using reflections.

I have also had a few trips to various different parts of the country to give talks on my work. These have included a visit to Smethwich photographic society and Bristol photographic society. Both are very prestigous societies so I was pleased to have been invited to present my work. Earlier in the year I attended the Arena Photographers weekend in Bournemouth, showing some of my “Perfecting the art of ” series of images on the Photo walk on the Saturday. These were well received by the delegates at the weekend.

The FIAP distinctions trail had been progressing, I received my EFIAP gold in June of this year, which was pleasing, however I have scaled back the number of exhibition I have been entering, only entering the ones that have good exhibition catalogues. I have managed to maintain a high rate of acceptances and have managed to pick up a few awards as well. I now need to get on with submitting my application for the EFIAP/ platiumn award.

A couple of visits to Spain were fruitful in terms of photography with some more interesting bull running images and other image opportunites. A visit to Glasgow in late October also produced some good images of the city architecture.

Other images from the year:

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EFIAP Gold

FIAP Distinctions for Photographic Merit

I’m delighted to have received notification this week that my application for the EFIAP Gold (EFIAP/g) award has been successful.

I have been entering International photographic salons run under the auspice FIAP for the last 6 years. Over that period, I have had success with gaining acceptances of my images in these salons around the world. I have also  managed to pick up a number of awards too.  These salons have provided me with an outlet for my work to be seen and shown internationally.

As I have pursued the FIAP salons trail I have seen inspiring work; I have met a number of good photographers; and made some new friends. I’ve been lucky to have travelled internationally as both an award winner and also as a judge.

 EFIAP/g: Excellence FIAP Gold

So a year on from achieving my EFIAP Sliver (EFIAP/s), I have achieved the Gold award. This makes it my fifth FIAP distinction in consecutive years, which I feel is a good achievement.

As with my other blog posts about the FIAP distinction trail,  EFIAP2013 and EFIAP/b 2014), EFIAP/s 2015, I will share some of the award winning images that were part of my successful EFIAP Gold application.

In my post about achieving my EFIAP Silver, I noted with some regret that FIAP in their wisdom had made major changes to these awards requirements for the following year, which made me question the rationale of continuing to enter international salons.

However later in the year at the FIAP conference, the changes introduced to all the requirements of the awards were revised again. On reviewing the changes, it made me decide to put in my application for EFIAP Gold as I had the required number of acceptances. I applied in December 2015 and was successful.

Below are the award winning images from my EFIAP Gold:

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2015 – a review of the year

So here we are at the end of 2015 and a time to reflect on the year photographically.

Has 2015 been a good year?

The answer, I think is yes, it has been a good and varied year.

I have worked with a quite a number of new models which was one of the aims of the year. On the photographic Salon front I have continued to enter a few of the National and International Salons and been rewarded with some success with images being accepted into the exhibitions and on a number of occasions picking up awards. One of the highlights was picking up my second Gold medal in the Trierenburg Super Salon, which resulted in an invitation to the Gala dinner in Linz in October to collect this. This year our trip was by train and we visited Zurich on the way there and Vienna on the way home. A blog post will be coming in early January about the visit to these two locations.

A few Judging invitations this year, including one of the National PAGB competitions (The GB Cup with fellow judges Leigh Preston  and Eric Orme) and also the international Yorkshire Salon 2015 with fellow judges Libby Smith and Rod Wheelans.

I have also had a number of invitations to present my images to camera clubs both locally in Yorkshire and nationally too, I even did a Couture fashion shoot too.

Mid-way through the year, I managed to put myself out of action for around 2 months when I broke my foot, so I had to cancel a trip to Spain and also a number of booked shoots which was a real pain. Fortunately at least one of the models I was able to work with later in the year. Just at this time I also got a studio space to work from so that has been a good step forward to have somewhere to work and play with lighting styles etc. I just had to wait for two months to start using it!

To make up for missing the trip to Spain in June we arranged a trip in September to visit the city of Bilbao, in northern Spain, which was well worth the visit as you can see from my post about it here.

On to the new models that I had the pleasure of working with this year, starting in January 2015, with Rosa brighid, then in alphabetical order: Angela Hudson, Amber Tutton, Darren H, Dee Delahunty, Gem, Mischkah, Rosewell Ivory and Tillie Feather.

I also enjoyed working again with Carla Monaco, Ella Beth, Faith Obae, Ivory Flame, Jen Brook, Kayleigh Lush, Raphella, and Madam Bink.

Finally I must put in a short bit around the FIAP awards which last year were revised upwards dramatically which made me decide not to follow on with the level awards. (see FIAP silver) Well in the FIAP congress in November 2015, guess what – they changed them all around again, you really do have to wonder!

So the upshot is I can now apply for my FIAP gold level award.

So to finish off here are some images from the 2015:

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Trierenberg Super Circuit 2015

Following on from my success in the 2014 Trierenberg Super Circuit I went to the Gala Dinner to collect my medal and it was a great night of photography images and meeting fellow award winners. I again entered the 2015 Trierenberg Super Circuit and I was more than delighted to be a medal winner again in 2015.

Trierenberg Super Circuit collecting the medal
Collecting the Gold Medal

So again the invitation to the Trierenberg Super Circuit Gala dinner was accepted and a trip to Linz was arranged to attend the award ceremony and dinner.

So Monday of this week (12/10/2015) I was among  those photographers at the gala dinner and awards evening held at the Design Centre in Linz, Austria. My award-winning image this year was Perfecting the art of chair levitating which was awarded a gold medal for best mono image in the Bregenz salon.

Trierenberg Super Circuit perfecting the art of chair levitation
Perfecting the art of chair levitation

This is again a great evening, well organised and with a well curated exhibition of a large number of the accepted prints. To have one of your images on display with all the other impressive work and to stand on the stage in front of all those other photographers and creative artists for a second time was really a good feeling.

This year I was one of the winner who Dr Chris Hinterobermaier chose to interviewed on stage so a little nerve-racking to start off with but I felt I gave a good answer to this questions.

Trierenberg Super Circuit interview image 1
On the big screen

There were a few other UK-based photographers attending too – Slywia and Marcin Ciesielski based in Southampton and Marek Biegalski based in Dublin and Mike Pilkington again from Dublin.

There were two other photographers who I had met at the event in 2014 Lotta van Droom (Ireland), who I managed to have a chat with after the dinner and also Mohammadreza Rezinia from Iran but I did not manage to catch up with him this year. which was a shame as his work is really creative.

Have a look at their websites if you have the time.

Again as I said at the end of my post last year if you get the invitation to attend then GO

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EFIAP Silver

I’m delighted to have received notification this week that my application for the EFIAP Silver (EFIAP/s) award has been successful; this makes it my fourth FIAP distinction in consecutive years which I feel is a good achievement.

As with my other blog posts about the FIAP distinction trail,  EFIAP2013 and EFIAP/b 2014), I will share all the images that gained me acceptances for my successful EFIAP Silver application below this text.

I have been entering FIAP salons now for the last 5 years and over that period have had success with gaining acceptances and a few awards too. Through pursuing the FIAP salons trail I seen inspiring work, I have met a lot of good photographer and made some new friends and travelled internationally as both a judge and an award winner. The salons have provided me with an outlet for my work to be seen and shown internationally.

However from 2016 FIAP have decided to introduce an increase to all the level requirements, effectively a 100% increase in the numbers required at each level. This suddenly makes this a very expensive task and perhaps not worth the effort as future increase could again be made in following years.

Now I have seen the acceptance requirement increase at EFIAP level and was fortunate to have been successful enough with my images to gain sufficient acceptances to meet that increase. FIAP then decided to delay the introduction of that increase which then meant that I had a large number of acceptances that could not be used. However it seems that they may come into play with new changes to the requirements that FIAP have introduced as you can now include all your acceptances from your AFIAP and EFIAP towards these new level requirements.

So will I continue on the distinction trial?   I will wait and see as if those images are now able to count, if that is the case, then the task is not as great as it would have been. So clarification will be required before I make any decision on progressing on to EFIAP/Gold. I know that I will certainly not be going on from there.

I do feel a certain amount of regret that changes he been made without any consideration for people already within the process. Most other organisation would have taken a phased in approach to the changes, to allow for many of the members who were already well through the process to complete it, but that is not the case. This is a shame, as I feel I can no longer recommend the FIAP distinctions process as worth having a go at, which I used to do in my lecture tours.

Above are the a few of the award winning images:

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A year in review -2014

It is always difficult to review a year (in terms of photography that is) as you always seem to be planning ahead for the next shoot. So perhaps taking the time to review what you have done in the past year is worth doing, at least in the terms of showing some of the images I created over 2014.

I have worked with a number of new models this year. In January, I had the pleaure to meet and work with Lulu Lockhart, this turned out to be the first of 3 shoots we had together during the year, so I guess I liked working with her. Others I had the pleasure of meeting and working with included Natasha-J-Bella, Anna Rose, Faith Obae, Christen Rock and finally Elle Beth.

I also did more location shoots this year with an Urban ballet themed shoot with Kayleigh Lush in Saltaire and a woodland shoot with Faith Obae.

On the FIAP salon trail, it was another good year for my images with two real highlights – the first being a Gold medal at the Feldkrich salon in the Trierenburg Super Salon, which resulted in an invitation to the Gala dinner in Linz in October to collect this. It certainly was a great evening with the chance to met fellow photograhers and enjoy their work and company. Tim Pile and Brian Hopper were also there so it was good to catch up with Tim and meet Brian for the first time, plus other fellow award winners from around the globe.

The second highlight was being lucky enough to be awarded another Medal in the London Salon year.

On a visit to Belfast in mid October for a few days I managed to meet up with Ross McKelver and we found time to do shoot with Christen Rock at Ross’ studio in Belfast (Catch Light Studios).

A visit to Iceland in late September/early October for 10 days of landscape photography with Daniel Bergman – high winds, rain, snow and some fine landscape views to photograph made it well worth the trip. I will certainly look at returning.

On the judging front I enjoyed judging the work entered into the Yorkshire International Salon of Photography, with fellow judges Margaret Salisbury and Ray Brammall – a good choice of weekend – two days before before Christmas!

I finished the year with a publication in Sensual Photography book No3 – so its not been a bad year overall!

So here are some image from the year:


The Trierenberg Super Circuit gala dinner and awards evening

Part of the introduction on the Trierenberg Super Circuit website states that:

It is the aim of this competition to find out the very best photography from different styles, techniques and genres. The Trierenberg Super Circuit has established as an international benchmark of perfect photography. Not only amateur photographers, but also internationally well-known artists and professionals have been participating.”

And on Monday of this week (13/10/2014) I was among those photographers at the gala dinner and awards evening held at the Design Centre in Linz, Austria. One of my 8 accepted images had been awarded a gold medal for best colourprint image in the  Feldkirch salon. (Expression on red Pointe).

red point angles and shapes
Red point angles and shapes

As medal winner you get an invite to attend the Gala Dinner and awards evening, and as I have known other UK and Irish photographers, (Ron and Maggie Tear and Ciaran Whyte) to name but two, who have attended in the past and talked about the event being impressive, so when the invitation came I didn’t want to miss the opportunity to attend.

I was not disappointed as it was certainly an impressive event, well organised and with a well curated exhibition of a large number of the accepted prints. To have one of your images on display with all the other impressive work and to stand on the stage in front of all those other photographers and creative artists was a good and humbling feeling.

There were a few other UK photographers attending too – Tim Pile and Brian Hooper were two whose work I know.

They were also there to collect medals for their work so it was good to meet up with them and also spend time with photographers from around the world, the furthest being one from Australia and the other from Brazil.

Thanks to Brian Hooper for the the next two images, which are me collecting my medal; and the other guests on our table (myself and Ro, Lotta van Droom and partner, Brian Hooper, Jalal Sazeli and Jack).

Then we have Tim Pile been interviewed on stage.

bph6865
Collection my award
bph6874
Some of the other award winners
tim on camera
Tim on camera

Three photographers who I met at the event and whose work is worth looking at are :

Lotta van Droom (Ireland),

Jalal Sazeli from Singapore, and

Mohammadreza Rezinia from Iran is also an impressive creative and it was good to meet and talk with him about the challenges he faces in creating his work.

Have a look at their websites if you have the time.

To sum up the Gala evening – it is just amazing. The presentation of the images, awards, and company made it a special event, and if you ever get the invite, then GO.


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